Issue 28:
Modern Rites of Passage
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The Story of the Book: More
Joanne Lauck Interview
Interviewed by Ruth Ann Smalley and David Harrison
The story of
how Joanne Lauck came to write The Voice of the
Infinite in the Small embodies many of the themes in
her book— about being guided in life, about the soul
finding its unique calling, about the connections
between the natural world and the inner life of
individual human beings, about the power of archetypal
images and of dreams. Here is her answer to the
question about how the book came into being.
Ruth: Can you tell us how you came to be interested in
the insect-human connection? Why did you think the
message of The Voice of the Infinite in the Small was
one that needed to be heard?
Joanne Lauck: I think the insects set me up, actually,
although I didn’t know it at the time. After I got all
done writing the book, I went back to my dream journal
and saw that the first dream I ever recorded had
insects in it, long before the book was ever conceived.
But the official story is that I got the desire to
write about the human-animal bond after the death of my
mentor, a being-in-fur. Prior to that, I did no writing
at all. The desire to write was initiated by a book
called Loving the Animals Back, about transformative
experiences between people and animals. Synchronistic
experiences with a praying mantis and with a moth
prompted me to include a chapter designated for the
insects.
I was about seventy percent done, and as is my way, I
set myself up for something that would help me complete
the project. In this case, I went ahead and applied to
speak at the San Rafael International Conference on
Shamanism and Alternative Healing. Because I am a
layperson and don’t know anything about insects in
particular, I decided I needed help to write the insect
chapter, so I would research and write a presentation
about how the native people didn’t have a hierarchy of
animals, that the power of an ant would be appropriate
in one situation and the power of an eagle in another.
We had forgotten the power of the small. I was accepted
as a speaker.
As the time approached for me to speak, I started a
compost pile for the insects, and dedicated it to them.
That’s how I start working with any animal. I try to
get in a frame of mind where I respect them and give
them a gift of some sort. Insects love compost. A
couple of days later, I had a dream in which I squeezed
the middle of my forehead where my third eye would be,
and a beetle popped out. When I woke up I thought,
"This is a good sign. I’ve got something moving in me.
I’m getting the attention of the insect world." Four
days later, I had another powerful dream. In this dream
I was going to be married, but there wasn’t a groom.
The wedding was going to be in a beautiful mountain
meadow north of San Francisco. I’m walking up the path
to the meadow with the wedding party, and there in the
middle of the meadow was the altar. On either side,
there were elephants as bridesmaids dressed in Sri
Lankan garb. The crowd was gathering, and all of a
sudden this large body of insects was flying low over
the crowd. I was thinking that some well-meaning guest
was going to smash them, so I yelled out, “Don’t hurt
them! Don’t hurt the insects!” Everybody looks up, and
the insects are cicadas, like ones I had photographed
when I lived in Texas. A large cicada was carrying a
wedge of spice cake. It divided up the cake and gave a
sliver to each guest in a communion ritual. I woke up
feeling so blessed and honored by this opportunity to
speak as truly as I could on behalf of the insect
world.
So, all is well, and then I go to the library to do my
research. I look up books on insects in the children’s,
juvenile and adult sections. What I found were just
abuses. I found that even in the scientific and
scholarly works they used emotional words like “savage”
and “ruthless” and “disgusting.” I thought, Excuse me,
what kind of objective reporting is that? Same,
obviously, for newspaper reporting. In children’s
books, they just set the child up and told them which
insects to hate, and that it was okay to kill the
insects that you didn’t like. Especially with the
official pest species, there was no way a child could
feel good after the presentation I had found in the
children’s books. At that point, I was at a standstill.
I didn’t know what to write. I couldn’t find anything
positive. I went and looked up ladybugs. These were
supposedly our friends. Well, you know, we’re taking
them when they’re hibernating and forty percent, just
thousands and thousands of ladybugs, die on the way to
nurseries as the “gardener’s friend.” I only found one
positive story, which you’ll find in the cockroach
chapter, about Jeff Allison, a blind man from Boston
who formed a relationship with a Madagascar hissing
cockroach. I had a picture of him, and I thought, This
is the kind of story I’m looking for. But it was the
only one. And here I am two weeks before I have to hand
a paper in, and I’m really panicked. I just don’t know
what to do. I don’t know what to write.
Now, I’m not much of a mystic. Usually, I close my eyes
and fall asleep, and there goes meditating. But I
decided to lie down on the floor, trying to be
uncomfortable so I’d stay awake, and I just sent out a
plea for help — nothing esoteric — just a cry for help.
In the next instant, the lights flickered and the room
was filled with this powerful energy. It wasn’t just
friendly, cutesy energy, but it wasn’t malevolent
either. It was incredibly intense and powerful, and I
knew that the insects had heard me. As is my way, I
fell asleep immediately, and had the dream that set the
course for the presentation, from which the book
followed.
In this dream, I’m talking to this average Middle
America couple in their fifties or sixties, and I’m
enthusiastically telling them about the insects, about
Jeff Allison and his large cockroaches. They’re just
nodding pleasantly, and then the man says, “Just a
second. I have to go get something for you.” He comes
back with a cardboard box, and he flings open the
cover. Inside is a nine-inch-long Madagascar hissing
cockroach. My first response was just to gasp because
it was so large and alien. He takes it and slaps it on
my arm, and it races up to my neck and put its
mandibles into my neck and starts to poison me.
Obviously, cockroaches can’t do that in real life, but
this was more like spider fangs. Anyway, in the next
few seconds, as the poisons enter my body, I’m down on
the ground in terror, fighting for my life. The couple
stands there smiling, pleased with themselves. I’ve got
both hands on this insect, and one part of me is just
in disbelief that this could be happening to me because
of my affection for the insects and for this particular
species.
All of sudden, out of the corner of my eye, I see in
the next room this shadowy figure, like a Darth Vader,
who is at the controls of something. I realize in that
instant that this is not a real insect, that this is a
mechanical invention controlled by the shadow of the
human collective psyche. With that revelation, I’m able
to throw the insect off. I realized that what people
were afraid of, what they hated, what they sprayed,
were not the real insects but imagined insects. People
were reacting to the cultural condemnation of the
insects, to what they had been taught to fear. Like, if
an insect is flying around you, it’s looking to bite
you, to harm you, to give you a disease, to take over
your garden. I recognized that I couldn’t just go into
this Pollyanna about, Oh, let’s be friends with the
insects, without revealing the shadow of the human
psyche in this regard. I wanted to reveal a blind spot.
Everybody just kind of agrees that the only good insect
is a dead one. I set out to show how this operates in
our culture, how it had become so prevalent that we
didn’t even see it, and that we had fooled ourselves
into thinking it was a natural thing, when it’s not
natural in any way.
When I finally gave the presentation, I got a lot of
positive feedback, because what I’m talking about is
just common sense. It’s a remembering that we don’t
have to be at war with any species. Insects are our
relations, and they are here for a reason. The
intersections of our lives and theirs can be a
blessing. Whenever I would attune to a certain species,
especially the official pest species, I read through
all the abuse to find the beauty, the wonder, the
mystery and, finally, the stories that would bring the
people’s view of them back into balance. In the course
of doing so, I found out that just as the indigenous
people found them to be messengers, I found them to be
that also, not just in the environment — and they are
certainly messengers of the environment — but also in
our psycho-spiritual journeys. Sometimes we recognize
them, especially when they come in the form of a
butterfly or an insect that we have not been taught to
hate or be afraid of. But in their own ways, all
insects have the capacity to be messengers.
Interestingly, the indigenous people thought that the
reason insects were so simply constituted was because
the divine could then use them as messengers. They
would show up to bless. They would show up to initiate.
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